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In August of 1977, I was attending an Audio Visual
convention in New Orleans for my (then) business, Potomac
Photo Supply. One night I chanced upon a quartet singing
in the lobby of the Hyatt and, liking what I heard, sat
listening 'til they took a break. I know not what
possessed me to shatter my longstanding role as a chronic
wallflower (it's a long story but suffice to say I never
did anything in front of anybody), but I approached the
foursome and offered my praise for their great sound.
They asked me what part I sang….and my first reaction
was to ask "What's a part?". After about a
minute of intro to 4-part harmony they asked me to sing
the "first half of the word love" and hold the
note. I was hesitant but they blew a pitch and I did what
they asked while they harmonized around my note. WOW! Did
I do that? After a short course on "mouth
posture" and "support" we did it again.
Double WOW!! With a pat on the back they sent me home to look up
SPEBSQSA.
That Quartet was "Wonderful
Daze" and I credit their lead, Art Swanson, for
stepping out (for two notes) and changing my life forever.
Back home I found the Frederick
Catoctones, joined them in September and sang on my
first show in November of '77.
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Photo
Album
[Click on a picture
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Wonderful Daze |

Frederick Catoctones (19??) |

Frederick Catoctones (19??) |

Frederick Catoctones (19??) |

Catoctones with new uniforms |

TriCountians |

TriCountians on stage |

Harmonizer Gold 1 of 4 |

Alexandria Harmonizers in Contest |
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Three of the chorus members, appropriately a bass,
baritone and tenor, also sang in the choir at Calvary
Methodist Church in Mt Airy, MD, just a few miles from my
home. Basil, the bass, and director of said choir, asked
if I might be interested in both - the choir AND a
quartet. Remember the wallflower bit? The idea scared the
hell out of me (I could hide in the chorus but certainly
not in a quartet) but was also thrilled to be asked. We
got together a few times, bought matching socks and
sweaters, and became The
TriCountians. (Another huge crack
in that personal shell.)
We stayed together for 6 or 7 years having the greatest
of fun. Roger, our tenor, formed another quartet with some
school colleagues, and the TriCountians folded. But about
that time I was looking for more of a challenge, chorus
wise, and joined the Heart of Maryland Chorus. The change
from a 30 man to a 100 man chorus was indeed a revelation
in sound production. They were certainly more active
musically and performance but lacking in direction. After
18 months and three shows I decided it still wasn't what I
was looking for and went to visit The Alexandria
Harmonizers. (Here's another big WOW.) What I found was a
new family, good friends and great music.
But talk about WORK! This was just after the
Harmonizers returned from Salt Lake City with their first
gold medal as International Chorus Champions. Getting
there is one thing; staying there requires just as much
hard work and practice. I had originally hoped to find
myself in another quartet, but just keeping up with the
repertoire was enough to keep me busy for the next few
years. And the three gold medals I have earned as a member
of this wonderful organization are treasured. What a
thrill it is to be a part of that sound.
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